Master Luthier & Technician
Precision mechanical adjustments that restore playability, sharpen intonation, and unlock the true voice of your instrument.
View ServicesThe Craft
A guitar setup is a comprehensive series of mechanical adjustments designed to optimize playability, tuning accuracy, and tone. No two instruments leave the bench the same way — every guitar speaks its own language, and a proper setup is how you learn to listen to it.
From correcting neck geometry with a precise truss rod calibration, to dialing in string height above each fret, to ensuring every note rings true across the full length of the neck — a setup transforms a frustrating instrument into an effortless extension of the player.
Brooks Challman brings a methodical, ear-guided approach to every instrument that comes through the shop. Whether it's a vintage acoustic, a road-worn electric, or a studio workhorse, the goal is always the same: make it play the way it should have from the factory.
What's Included
Hover each service to learn more. Every adjustment works in concert — a complete setup, not a checklist.
The Method
Each guitar is treated as the only guitar in the shop that day.
The guitar is played, inspected, and photographed. Every issue — fret wear, neck angle, dead spots, electronics noise — is documented before a single adjustment is made.
New strings are installed with correct winding technique and fully stretched, so subsequent measurements and adjustments reflect the instrument's settled, real-world state.
Truss rod is set for the correct relief. Nut slots are checked and cut to precise depth. Neck angle is evaluated against the body — the backbone of all further work.
Bridge saddle height is dialed in at both bass and treble sides, achieving the target action while maintaining even feel across the full fretboard width.
Each saddle is intonated by ear and strobe tuner simultaneously. Pickup heights are then set for balanced output and the character the player describes.
The completed guitar is played through its full range — open chords, upper frets, harmonics, bends — before it leaves the bench. If it isn't right, it isn't done.